![]() "We started with a light pass, then slowly built many texture passes. "This took advantage of the 3D, to create as many fine detailed passes as needed to match plates properly and allow maximum control," said Romain. Matte Painting Artist Romain Bayle began by using lidar taken of the exterior set to make a high resolution model, with a 3.3 million poly count. For the CVD team, this meant transforming the two-storey set into a sumptuous, nine-storey hotel, complete with an ornate facade, imposing side wings, and intricate roof. The Hotel Denouement sequences were shot on a stage, but to achieve the elaborate look envisaged by Barry, the final shots required massive set extension, all in 4K resolution. By far the most challenging work for CVD's team of 18 artists came in episodes five and six, jointly titled "Penultimate Peril," set in the quirky art deco Hotel Denouement, with flashbacks to an opulent opera house. ![]()
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